Yesterday I was on a work trip to London. After my meetings, I took the opportunity to stay on late and check out a few exhibitions...
It's been about a year since I was last in London. I always enjoy hopping around the museums and galleries when I'm there. In such a big city it's not hard to uncover something relevant to my current work.
Excuse the crappy phone snaps, it's not going to do the work justice. I'll try link out to artists websites.
Stanley Kubrick: The Exhibition
UNTIL 15 SEPTEMBER 2019
Design Museum
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| The intro kindly hits you with the things you came to see - giving space to inhale the breath of the contents |
I loved the processes on show in this archival exhibition. After the crowd pleasing 'opening titles' - you arrive backstage at the set of Kubrick's World. Exploring his obsessive passion for direction through reams of sketches & notes. A clear link from research to outcome demonstrated by the juxtaposition of storyboards next to an Oscar.
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| "When you are editing you want to get rid of everything that isn't essential" Kubrick |
With so much material on offer, editing and curating artefacts for this mammoth exhibition must have been challenging. Don't worry they sure as hell don't hold back, this exhibition is a mouth full even for the hungriest of fans. A point particularly prevalent in Kubrick's own editing process. Things may be better off on the floor if they have no place in the final piece - at any cost!
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| From sketch to final artwork by Phillip Castle. |
I was particularly taken with the process between Kubrick and illustrator
Phillip Castle. Starting with letters including early sketches, showing development through concepts towards final artwork. Kubrick gets what he wants. He knows the right people to work with and squeeze out the extra juice. This in depth, yet glimpse, at his process is inspiring for any fan.
This exhibition allures with all the flashy, shiny things. Context is welcome via historical artefacts that suck you into the artificial world. Human's attempts at understanding that world in depictions of religions and cultural references.
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| In Jewish folklore, Golem is an animated anthropomorphic |
From a robotic cat character in the kids cartoon
Doraemon, to wild generated worlds that have their own ecosystems in
Sunshowers by Marija Avramovic and Sam Twidale. The exhibition continues through the Uncanny Valley, past Blade Runner sci-fi towards real world examples: including early computers and the
Enigma Machine which was unfortunately not operational.
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| If Netflix did exhibitions... oh wait... |
Jump to our modern day Netflix era. A self contained section about traditional Chinese board game, "Go". In documentary
AlphaGo, programmers show AI the game rules, to understand how the game works. Teaching the machines how to play and how to beat humans, including one of the best players in the world, Lee Sedol. Only, us humans can't accept that sort of defeat. When Sedol eventually wins against the programme it's deemed to be the "Hand of God". Surely, something a computer can't have? I mean... (let's not go too far down that route). Fascinating.
Watch the documentary on Netflix.
Generated artwork in
Mosaic Virus, by Anna Ridler shows beauty beyond possibilities of human conception. Such beauty can only be likened to plant life. But along with narratives of our consumeristic world, our ever fragile natural world is not forgotten here. Can AI backtrack our destruction of the planet? Self building robots that can morph to different shapes and environments. Could these be an answer to rebuilding any destruction we cause, or the cause of such terror?
What is constant throughout is how boundaries are blended by AI. Where does AI stop and where does other life begin? Do computers know what we see? Or do we see what we know? I begin to wonder, as computer vision depicts a mess of old audio cables as a dramatic sunset beach scene.
As always AI is at odds with our own advances in technology. Exhibits break down. AV technicians dismantle the magic black boxes to reinstall software. Part and parcel with this field of art. Something which I find reassuring on many levels.
Provocative and entertaining. Plenty to keep your measly little brain occupied. Worth a visit on a rainy summer day.
